Jottings as one ends, one begins

Minneapolis, Minnesota


Saturday, Dec. 19, 3:04pm – The absence of open water matches that of geese, ducks, and gulls from Lake Calhoun today. 23º with low, dark-gray clouds portending snow. The snowed-over pedestrian path means that walkers, runners, skaters, and cyclists share the vehicular path in both directions – with signs telling all but walkers to yield. A lone, hatless fool skis Nordic style across the ice ("fool" being relative viz brisk walkers on solid ground). Rifle volleys somewhere west in St. Louis Park suggest military honors, but whoever heard of a 33-gun salute? If not a funeral, then an odd place to practice. A mind trick of Minnesota winters: bulky-attired runners retain allure and sex appeal. Some of them, anyway. Two, in particular. Wind bites only while rounding the southeast bend. Two women bundled as in burqas (with only eye slits), descend steps at the 32d Street Beach talking excitedly about prospects for some kind of Bush Foundation grant. North of the beach, two clumsy skaters collide, kiss, and continue out to where the ice does not yet support snow. One hopes not to reach Christmas Day news items of divers searching for bodies. A windboarder tows his sailboard toward two companions waiting just offshore from the boat launch. Frozen pavement amplifies the sound of Lake Street traffic between lakes Calhoun and Isles. Nonbermed areas sound like Daytona Speedway, relatively. 


Sunday, Dec. 20, 12:09am – Spent a great evening with Chari, friend of 43 years, at Medina Entertainment Center to see and visit with Dennis, friend of 42 years and member of the Rockin' Hollywoods band!

Monday, Dec. 21, 4:35pm – Solstice. 17º. Two days' snowfall blankets all. Seven walkers, five runners, two cyclists, and no partridges in trees – nor other aviators. Optimists: nine canoes and kayaks still chained in place on north shore of lake. So very Calhoun quiet save for occasional vehicle on parkway or plane above clouds. 


Wednesday, Dec. 23, 10:31pm – So, the new, late-20-something guy next door moved here from Texas with his family in October to assist his elderly uncle and manage the apartment building. He never saw snow before last week. As we completed our second shovel-out of today, he was horrified to hear that it could snow for four more months. Told him: "If this doesn't send you back to Texas, nothing will!" 


Thursday, Dec. 24, 11:31am – Tonight: Christmas Eve Services at St. Mark's Episcopal Cathedral - religious service, cultural ritual, artistic production. 10pm - Be seated to insure a place. 10:30pm - Congregation/audience caroling. 11pm-12:45am - Midnight Mass with choir, organ, brass. 


Saturday, Dec. 26, 11:01am – The Young Victoria is a perfectly lovely film. The best line in a preview trailer was spoken by Chrisopher Plummer's character to Helen Mirren's, in The Last Station: "You don't need a husband, you need a Greek chorus!" 


Tuesday, Dec. 29, 12:54pm – Back! The crash-and-burn by MinnesotaPlaylist.com, a primo-must-have for Minnesota theater, is fixed! Check 'em out! 


Thursday, Dec. 31, 9:24am – Minnesota Public Radio reports that the mood is jubilant as fireworks welcomed the new year over the harbour and opera house in Sydney, Australia – folks happy to leave 2009 behind. My Facebook Live Feed reports that not everyone has cause for jubilation today. Nonetheless, as the bitter matches the sweet, a blessed 2010 to all! 


Thursday, Dec. 31, 10:53am – The Nuclear Cowboyz present a motorcycle ballet – a motocross spectacle – in 15-city tour. http://tinyurl.com/ydoxy4v 


Thursday, Dec. 31, 11:36am – Happy New Year wishes to the four fabulous artistic founders of Live Action Set! 


Friday, Jan. 1, 1:50pm – The 189-seat Commonweal Theater in tiny Lanesboro, Minnesota, drew 20,283 in 2009. With great work, others can too! http://tinyurl.com/yjpbwr7 


Friday, Jan. 1, 2:04pm – Where I-35W enters downtown Minneapolis, across from Central Lutheran Church and one block from Convention Center (and five blocks from home), Hilton Garden Inn offers neighborhood discounts on breakfast buffet, seven days a week (hours vary). Today, that discount was 32%. The discount for evenings is 25%. It's off the beaten track but appears to be a quiet wine hang-out for evening.

Friday, Jan. 1, 7:53pm – A waning full moon over Lake Calhoun. Last night, this was the Blue Moon. –1º and clear, with the mildest of breezes at the lake tonight. Two runners moving briskly on their rounds. 


Friday, Jan. 1, 11:42pm – Deborah Howell, former editor at Star Tribune and Pioneer Press struck and killed by a car in New Zealand. Husband, C. Peter McGrath (former U of M president), with her at the time. http://tinyurl.com/ydom6wo 


Saturday, Jan. 2, 2:20am – "With or without you!" Felt 28 again, closing up the 331 Club in NE Minneapolis, listening to Venus spin 95% real vinyl tunes. Just like 28, however, after thinking I was making eyes with the cute – but wasted – breakdancer, excitement at his approach died as he instead, in slurred manner, asked my partner if he had been his history professor at St. John's University four years ago! Had to laugh uproariously at all of us!

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Preview: Coming to the Guthrie

Minneapolis, Minnesota


Follow this link to a YouTube conversation between Galen Treuer and Ellen Swanson about "My Father's Bookshelf," the new Live Action Set production premiering June 18 at The Guthrie's Dowling Studio in Minneapolis.


[Live Action Set website] [Live Action Set Facebook] [Related Minnesota Mist post.]

Yes, they can!

Minneapolis, Minnesota


When everything in the world seems to be going wrong, it is easy to overlook the things that are going right.


Things will be going very right for the four artistic co-directors of Live Action Set when they head to Campinas, Brazil, Jan. 27, for three weeks of study, collaboration, and preparation for their debut at the Guthrie Theater in June.
The directors, Noah Bremer, Megan Odell, Galen Treuer, and Vanessa Voskuil, will study together in week-long workshops with the collaborative, physical theater artists of Lume Teatro, located in the Barão Geraldo district of Campinas.


Although the trip was not planned for the middle of Minnesota’s most biting winter in years, none of the quartet are complaining about the prospect of Campinas’ tropical climate and temperatures in the 80s and 90s. Their timing also will allow them to participate in Brazil’s Carnaval, ending on the eve of Ash Wednesday, Feb. 24.


The travelers see the trip as a rare opportunity for themselves as individual artists and as an organization. "The four of us have never had the opportunity to train together, to focus on growing, and learning a shared performance vocabulary,” said Treuer.


“We are very much looking forward to spending some focused time away, studying, and doing some research for our next performance at the Guthrie Theater."


With a population exceeding one million, Campinas is a city and county in the state of São Paulo on Brazil’s southeastern coast. It hosts an international business presence by the likes of IBM, Motorola, Nortel, Compaq, 3M, Texas Instruments, and Honda, among many others.


During two decades, the Lume company has become a global magnet for theater and dance artists interested in studying clown, Butoh, Noh, Kabuki, and other styles within an atmosphere of collaboration and exchange. In addition to its workshops, the company creates and performs original productions, touring with them to more than 20 countries to-date.


The Live Action Set artists will devote four hours daily to classes, followed by hours of thematic, physical, and language research needed to develop their latest original production, “My Father’s Bookshelf.”


“My Father’s Bookshelf” is a new work about dementia, neuroscience, and the mortality of families. This original play is a mix of family drama and gentle humor, interlaced with a neuroscientist’s passionate lecture on Alzheimer's.


It will be the company’s 13th production since the four artistic directors began creating ensemble-driven performances in 2003. Their work has been a favorite of Fringe Festival audiences and others at several Twin Cities venues.


The Brazilian adventure is supported by a Travel & Study Grant from the Jerome Foundation and additional, individual fundraising. Live Action Set’s artists will share their experience with other Minnesota artists in a two-day workshop in Minneapolis, Mar. 21-22.


[Related Minnesota Mist post.]


My Father’s Bookshelf will be presented in the Guthrie’s Dowling Studio, 818 S. 2nd Street, Minneapolis, June 18-28. Single tickets are priced from $18 to $30, with opening night seats at $34. Tickets are on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, and online at www.guthrietheater.org.

Review: Minnesota Philharmonic Orchestra

Minneapolis, Minnesota


The Minnesota Philharmonic Orchestra opened its 16th season for an audience of 300 at the Ted Mann Concert Hall in Minneapolis, Sept. 20, with a competent and accomplished rendition of four compositions that are performed rarely on the concert stage.


The music of Bedrich Smetana, represented by Three Dances from The Bartered Bride, was new to me and opened the evening. The full work received its premiere in 1870, its composition marked by the ferment of political turmoil and rising Czech nationalism that permeated the composer's native Bohemia at the time. Three excerpts – Polka, Furiant, and Dance of the Comedians – offered a musical picture of the milieu into which John and Lena Tapper, two of my paternal great grandparents, were born.


Playing from memory, guest pianist Paul Kovacovic displayed full control of the Piano Concerto No. 5 in F Major by Camille Saint-Saëns, composed in Egypt and premiered in Paris in 1896. The motifs of the second movement form the basis of "Egyptian" as the concerto's nickname. To my ear, the upper register piano hammers that were supposed to represent the sounds of chirping crickets were less than tunefully bright. Kovacovic's many domestic and international projects included a collaboration earlier this year with Live Action Set at the Southern Theater.


If her skills as a registered nurse match her facility with the flute, then the patients of Hamsa Isles are well-served at Children's Hospital in Minneapolis. This native of Cleveland and founding member of the orchestra displayed her artistry in Voyage for Flute and String Orchestra, a small gem from 1988 by John Corigliano.


The program closed with the Symphony No. 99 in E-flat Major, an unflashy but solid and satisfying work composed by Franz Joseph Haydn in Vienna in 1793.


Under the direction of Joseph Schlefke since 2001, the Minnesota Philharmonic Orchestra and its 53 members have become an articulate ensemble of individually strong, often exceptional, players, prompting no embarrassment and requiring no apology. The opportunity to see and hear them at the Ted Mann Concert Hall was a welcome change from their traditionally smaller and less formal venues. But.


They hold in their grasp the readiness to kick it up a notch artistically. Their collective posture and stage presence reflects an unwarranted reticence and a lack of visible esprit and conviction. Rather than owning the stage, they appear as shy and uncertain visitors. As the organization's front man and most public face, Schlefke could inspire his troops with a more practiced and self-assured persona. His years of experience and accomplishment should have banished his verbal and physical insecurities long ago.


If it chooses the pursuit, this group is ready to stretch itself into the big-time of higher visibility, greater artistic accomplishment, and heightened public scrutiny and support.


The Minnesota Philharmonic Orchestra's 2008-2009 season continues: Dec. 5-6, 7:30pm, Hopkins High School Auditorium, Minnetonka; Mar. 14, 7:30pm, Hamline University, St. Paul; and May 30, 7:30pm, Hamline University, St. Paul. www.mnphil.org

Fringe review: Live Action Set, Minneapolis

Minneapolis, Minnesota


Too many artists or their organizations presume a mantle of uniqueness in asserting that their work boldly goes where none have gone before: pushing boundaries, exploring new worlds, and creating new vocabularies or tomes in whatever discipline they pursue. Would, for the integrity of their p.r., that it was true.


Wisely, the four principals of Live Action Set – Noah Bremer, Megan Odell, Galen Treuer, and Vanessa Voskuil – avoid the overblown claims of such claptrap. They understand that the embodiment of their creativity must be innovative to them and its presentation delivered with accomplished and engaging conviction. They "get" that their collective motivation produces an "intangible creative synergy" distinct from their individual possibilities.


The results of their approach can be seen in Deviants, an engrossing, 70-minute offering in this year's Minnesota Fringe Festival. The show is a re-working of material presented at the Red Eye Theater in 2007.


Deviants is a work of intelligence by young adults, for adults of all ages, that easily could have become trite and facile. In a non-linear format, it examines constructions of the acceptable and the deviant, the desired and the repressed. Some of the forbidden fantasies-turned-obsessions, along with their real or imagined imagery, may challenge some viewers.


The genius of Deviants, if you will, may be found in its successful creation of an alternate reality and the ability of a very talented cast to transport an audience to its realms. The ensemble launches the journey using all of the raw, warehouse space of The Soap Factory, including trapdoors and pillars. While the pillars become an integral part of the set and scene, they pose an unacceptable barrier to sightlines.


The members of Live Action Set, with their varied backgrounds in theater and dance, have forged a cohesive, collective character that accents the strengths of each individual. Their future foraging across the artistic landscape will be welcome.


They are worthy successors to the ensemble of artists formerly known as Theatre de la Jeune Lune in Minneapolis (and, formerly, Paris). The work presented by the Set at the Soap Factory echoes the fascinating, early-1980s productions by Jeune Lune in the Seven Corners neighborhood of Minneapolis. Jeune Lune's founders shared an aesthetic background in their training at the Ecole Jacques Lecoq. Although the founders of the Set do not share a similar set of experiences, their bond is a shared sensibility and a commitment to ensemble-driven outcomes.


Jeune Lune collapsed in financial distress last month, nearly 30 years after its first Minneapolis performance. Interestingly, Robert Rosen, a co-founder of Jeune Lune, served as director and co-creator of Deviants (and, Rosen and Bremer both studied at the Dell'Arte International School of Physical Theater in California).


Whatever their longevity together, one can wish the artists of Live Action Set a happy and productive life of continued creativity.


Deviants continues at The Soap Factory, 518 2nd Street SE, Minneapolis. Aug. 5-10 @ 7pm; Aug. 8 & 9 @ 8:30pm; and Aug. 9 @ 5:30pm. Tickets: $12 + one-time purchase of Fringe Festival button for $3.

Fringin' and dancin'

Minneapolis, Minnesota


If you have not submitted your advertising banner to the website of the Minnesota Fringe Festival by now, you are out of luck. It is one of the lowest cost deals in town and, between now and mid-August, the Fringe's will be one of the top five most active websites in Minnesota!


The festival runs 11 days, July 31 - Aug. 10, at numerous venues in the Uptown, West Bank, Northeast, and North Loop neighborhoods of Minneapolis. At least 1,000 artists will present more than 800 performances of 156 different shows, aided by 400 volunteers.


As a sassy teenager of 15, the Fringe has outgrown the pangs of its 1993 birth, delivered with a loan from the Cedar Riverside Business Association. It now is the Midwest's largest performing arts festival, and the largest nonjuried and uncensored Fringe in the U.S.


As my friend, John Munger, noted on his blog, Going Through the Movements, the Fringe "offers more dance in 11 days than any part of the [Twin Cities] dance community offers at any other time of the year." He has the statistics to prove it. I intend to see at least three of this year's dance offerings.


Live Action Set is creating some of the freshest and most engaging work in town these days. Its show, Deviants, will play at The Soap Factory, with a cast including Noah Bremer, Megan Odell, Robert Rosen, Galen Treuer, and Vanessa Voskuil. These are the folks who brought us the 2005 Fringe hit Please Don't Blow Up Mr. Boban.


Last year, Penelope Freeh presented one of the strongest shows in the Fringe. This year's offering is small aïda, a two-woman show for herself and Stephanie Fellner, to be performed at Theatre de la Jeune Lune.


DRP Dance will make its third Fringe appearance with Modern Muses at the Southern Theater. It features four women performing choreography by Danielle Robinson-Prater.


The maximum ticket price for any Fringe show is $12, plus a one-time button purchase for $3. A complete schedule for the festival is at www.fringefestival.org.