Minneapolis, Minnesota
As Philip Fortenberry tells the story, one day when he was four years old, while playing with his trucks under a tree in his yard in rural Hub, Mississippi, a sudden inspiration led him to drop everything, run into the house, sit down at the family piano, and begin playing all of the songs he had ever heard, and some that he had not. He had never played the piano before that day.
A prodigy, by age seven he played regularly at the Edna Baptist Church, a service he rendered, without pay, through high school, and continued at the Main Street Baptist Church in Hattiesburg while attending William Carey College. After moving to New York City, Fortenberry earned a Master of Music degree from New Jersey City University, and was an adjunct faculty member at New York University.
In his early career, Fortenberry became the musical director for Forbidden Broadway, the off-Broadway revue, and musical supervisor for the show's London production.
His later Broadway and touring performance credits include Cats, Jesus Christ Superstar, Saturday Night Fever, Ragtime, The Lion King, and many more. In 1990, Fortenberry and the mezzo-soprano Frederica Von Stade performed at the White House for two presidents, Mikhail Gorbachev of the Soviet Union and George H. W. Bush of the United States.
Since becoming a resident of Las Vegas, Fortenberry has played for several theater productions, including his current gig as a performer in Jersey Boys, the story of four kids from Newark, Frankie Valli and The Four Seasons. He also has worked with the Faith Community Lutheran Church and the St. Elizabeth Ann Seton Roman Catholic Church.
Three afternoons a week, Fortenberry takes the stage in the 75-seat Cabaret Showroom at the Liberace Museum. There, at the keyboard of a mirrored, Baldwin grand piano used by Liberace at the Las Vegas Hilton, Caesars Palace, and Radio City Music Hall, Fortenberry holds forth with "Liberace and Me," an acoustic, cabaret style performance. The program serves as a vehicle for telling his own story while preserving the legacy of Liberace's music and style of entertaining. Audience members array themselves around small tables where they can nosh from a selection of light items from the cafe nearby.
Opening his act with Liberace's signature arrangement of Chopsticks, Fortenberry then wends his way through a mix of Liberace classics and Broadway show tunes, channeling the former master in all his harmonic brilliance. Each performance includes an improvised "Portrait of Music" for a member of the audience to honor Liberace's spirit of spontaneity. On Dec. 16, this gift was bestowed on a visitor celebrating her 87th birthday. The set closes with the audience joining Fortenberry in a sung rendition of "I'll Be Seeing You."
The boyishly handsome musician lingers afterward to engage visitors with an affable, though somewhat guarded, Southern charm, closing an experience that provides visitors with a pleasing prelude to an evening in the clubs and showrooms on the Las Vegas Strip.
Philip Fortenberry plays The Cabaret Showroom at the Liberace Museum each Tue., Wed., and Sat., 1pm. 1775 East Tropicana Avenue (at Spencer), Las Vegas. 702.798.5595. Fortenberry on MySpace and YouTube.
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Monday, January 11, 2010
Monday, January 4, 2010
Travel and study grants for Minnesota and New York City artists
Minneapolis, Minnesota
The Jerome Foundation 2010 Travel and Study Grant Program will award grants to emerging creative artists (choreographers, film and video directors, poets, spoken word artists, fiction and creative nonfiction writers) for activities that lead to individual exploration and growth. Informational workshops will be held in February. More information is available at www.jeromefdn.org. Application deadline: March 8, 2010.
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The Jerome Foundation 2010 Travel and Study Grant Program will award grants to emerging creative artists (choreographers, film and video directors, poets, spoken word artists, fiction and creative nonfiction writers) for activities that lead to individual exploration and growth. Informational workshops will be held in February. More information is available at www.jeromefdn.org. Application deadline: March 8, 2010.
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Sunday, January 3, 2010
Jottings as one ends, one begins
Minneapolis, Minnesota
Saturday, Dec. 19, 3:04pm – The absence of open water matches that of geese, ducks, and gulls from Lake Calhoun today. 23º with low, dark-gray clouds portending snow. The snowed-over pedestrian path means that walkers, runners, skaters, and cyclists share the vehicular path in both directions – with signs telling all but walkers to yield. A lone, hatless fool skis Nordic style across the ice ("fool" being relative viz brisk walkers on solid ground). Rifle volleys somewhere west in St. Louis Park suggest military honors, but whoever heard of a 33-gun salute? If not a funeral, then an odd place to practice. A mind trick of Minnesota winters: bulky-attired runners retain allure and sex appeal. Some of them, anyway. Two, in particular. Wind bites only while rounding the southeast bend. Two women bundled as in burqas (with only eye slits), descend steps at the 32d Street Beach talking excitedly about prospects for some kind of Bush Foundation grant. North of the beach, two clumsy skaters collide, kiss, and continue out to where the ice does not yet support snow. One hopes not to reach Christmas Day news items of divers searching for bodies. A windboarder tows his sailboard toward two companions waiting just offshore from the boat launch. Frozen pavement amplifies the sound of Lake Street traffic between lakes Calhoun and Isles. Nonbermed areas sound like Daytona Speedway, relatively.
Sunday, Dec. 20, 12:09am – Spent a great evening with Chari, friend of 43 years, at Medina Entertainment Center to see and visit with Dennis, friend of 42 years and member of the Rockin' Hollywoods band!
Monday, Dec. 21, 4:35pm – Solstice. 17º. Two days' snowfall blankets all. Seven walkers, five runners, two cyclists, and no partridges in trees – nor other aviators. Optimists: nine canoes and kayaks still chained in place on north shore of lake. So very Calhoun quiet save for occasional vehicle on parkway or plane above clouds.
Wednesday, Dec. 23, 10:31pm – So, the new, late-20-something guy next door moved here from Texas with his family in October to assist his elderly uncle and manage the apartment building. He never saw snow before last week. As we completed our second shovel-out of today, he was horrified to hear that it could snow for four more months. Told him: "If this doesn't send you back to Texas, nothing will!"
Thursday, Dec. 24, 11:31am – Tonight: Christmas Eve Services at St. Mark's Episcopal Cathedral - religious service, cultural ritual, artistic production. 10pm - Be seated to insure a place. 10:30pm - Congregation/audience caroling. 11pm-12:45am - Midnight Mass with choir, organ, brass.
Saturday, Dec. 26, 11:01am – The Young Victoria is a perfectly lovely film. The best line in a preview trailer was spoken by Chrisopher Plummer's character to Helen Mirren's, in The Last Station: "You don't need a husband, you need a Greek chorus!"
Tuesday, Dec. 29, 12:54pm – Back! The crash-and-burn by MinnesotaPlaylist.com, a primo-must-have for Minnesota theater, is fixed! Check 'em out!
Thursday, Dec. 31, 9:24am – Minnesota Public Radio reports that the mood is jubilant as fireworks welcomed the new year over the harbour and opera house in Sydney, Australia – folks happy to leave 2009 behind. My Facebook Live Feed reports that not everyone has cause for jubilation today. Nonetheless, as the bitter matches the sweet, a blessed 2010 to all!
Thursday, Dec. 31, 10:53am – The Nuclear Cowboyz present a motorcycle ballet – a motocross spectacle – in 15-city tour. http://tinyurl.com/ydoxy4v
Thursday, Dec. 31, 11:36am – Happy New Year wishes to the four fabulous artistic founders of Live Action Set!
Friday, Jan. 1, 1:50pm – The 189-seat Commonweal Theater in tiny Lanesboro, Minnesota, drew 20,283 in 2009. With great work, others can too! http://tinyurl.com/yjpbwr7
Friday, Jan. 1, 2:04pm – Where I-35W enters downtown Minneapolis, across from Central Lutheran Church and one block from Convention Center (and five blocks from home), Hilton Garden Inn offers neighborhood discounts on breakfast buffet, seven days a week (hours vary). Today, that discount was 32%. The discount for evenings is 25%. It's off the beaten track but appears to be a quiet wine hang-out for evening.
Friday, Jan. 1, 7:53pm – A waning full moon over Lake Calhoun. Last night, this was the Blue Moon. –1º and clear, with the mildest of breezes at the lake tonight. Two runners moving briskly on their rounds.
Friday, Jan. 1, 11:42pm – Deborah Howell, former editor at Star Tribune and Pioneer Press struck and killed by a car in New Zealand. Husband, C. Peter McGrath (former U of M president), with her at the time. http://tinyurl.com/ydom6wo
Saturday, Jan. 2, 2:20am – "With or without you!" Felt 28 again, closing up the 331 Club in NE Minneapolis, listening to Venus spin 95% real vinyl tunes. Just like 28, however, after thinking I was making eyes with the cute – but wasted – breakdancer, excitement at his approach died as he instead, in slurred manner, asked my partner if he had been his history professor at St. John's University four years ago! Had to laugh uproariously at all of us!
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Saturday, Dec. 19, 3:04pm – The absence of open water matches that of geese, ducks, and gulls from Lake Calhoun today. 23º with low, dark-gray clouds portending snow. The snowed-over pedestrian path means that walkers, runners, skaters, and cyclists share the vehicular path in both directions – with signs telling all but walkers to yield. A lone, hatless fool skis Nordic style across the ice ("fool" being relative viz brisk walkers on solid ground). Rifle volleys somewhere west in St. Louis Park suggest military honors, but whoever heard of a 33-gun salute? If not a funeral, then an odd place to practice. A mind trick of Minnesota winters: bulky-attired runners retain allure and sex appeal. Some of them, anyway. Two, in particular. Wind bites only while rounding the southeast bend. Two women bundled as in burqas (with only eye slits), descend steps at the 32d Street Beach talking excitedly about prospects for some kind of Bush Foundation grant. North of the beach, two clumsy skaters collide, kiss, and continue out to where the ice does not yet support snow. One hopes not to reach Christmas Day news items of divers searching for bodies. A windboarder tows his sailboard toward two companions waiting just offshore from the boat launch. Frozen pavement amplifies the sound of Lake Street traffic between lakes Calhoun and Isles. Nonbermed areas sound like Daytona Speedway, relatively.
Sunday, Dec. 20, 12:09am – Spent a great evening with Chari, friend of 43 years, at Medina Entertainment Center to see and visit with Dennis, friend of 42 years and member of the Rockin' Hollywoods band!
Wednesday, Dec. 23, 10:31pm – So, the new, late-20-something guy next door moved here from Texas with his family in October to assist his elderly uncle and manage the apartment building. He never saw snow before last week. As we completed our second shovel-out of today, he was horrified to hear that it could snow for four more months. Told him: "If this doesn't send you back to Texas, nothing will!"
Thursday, Dec. 24, 11:31am – Tonight: Christmas Eve Services at St. Mark's Episcopal Cathedral - religious service, cultural ritual, artistic production. 10pm - Be seated to insure a place. 10:30pm - Congregation/audience caroling. 11pm-12:45am - Midnight Mass with choir, organ, brass.
Saturday, Dec. 26, 11:01am – The Young Victoria is a perfectly lovely film. The best line in a preview trailer was spoken by Chrisopher Plummer's character to Helen Mirren's, in The Last Station: "You don't need a husband, you need a Greek chorus!"
Tuesday, Dec. 29, 12:54pm – Back! The crash-and-burn by MinnesotaPlaylist.com, a primo-must-have for Minnesota theater, is fixed! Check 'em out!
Thursday, Dec. 31, 9:24am – Minnesota Public Radio reports that the mood is jubilant as fireworks welcomed the new year over the harbour and opera house in Sydney, Australia – folks happy to leave 2009 behind. My Facebook Live Feed reports that not everyone has cause for jubilation today. Nonetheless, as the bitter matches the sweet, a blessed 2010 to all!
Thursday, Dec. 31, 10:53am – The Nuclear Cowboyz present a motorcycle ballet – a motocross spectacle – in 15-city tour. http://tinyurl.com/ydoxy4v
Thursday, Dec. 31, 11:36am – Happy New Year wishes to the four fabulous artistic founders of Live Action Set!
Friday, Jan. 1, 1:50pm – The 189-seat Commonweal Theater in tiny Lanesboro, Minnesota, drew 20,283 in 2009. With great work, others can too! http://tinyurl.com/yjpbwr7
Friday, Jan. 1, 2:04pm – Where I-35W enters downtown Minneapolis, across from Central Lutheran Church and one block from Convention Center (and five blocks from home), Hilton Garden Inn offers neighborhood discounts on breakfast buffet, seven days a week (hours vary). Today, that discount was 32%. The discount for evenings is 25%. It's off the beaten track but appears to be a quiet wine hang-out for evening.
Friday, Jan. 1, 11:42pm – Deborah Howell, former editor at Star Tribune and Pioneer Press struck and killed by a car in New Zealand. Husband, C. Peter McGrath (former U of M president), with her at the time. http://tinyurl.com/ydom6wo
Saturday, Jan. 2, 2:20am – "With or without you!" Felt 28 again, closing up the 331 Club in NE Minneapolis, listening to Venus spin 95% real vinyl tunes. Just like 28, however, after thinking I was making eyes with the cute – but wasted – breakdancer, excitement at his approach died as he instead, in slurred manner, asked my partner if he had been his history professor at St. John's University four years ago! Had to laugh uproariously at all of us!
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Saturday, January 2, 2010
Quintessential Minnesota jazz at Bennett's in St. Paul
St. Paul, Minnesota
For three magical hours, Dec. 29, members of the Bill Evans New Orleans Jazz Band and their audience of dinner customers journeyed through the quintessence of Minnesota's jazz traditions. At its end, the cornetist Charlie DeVore observed "We haven't had such a wild evening here in years."
Exceptional music – and the occasional wild evening – happens whenever the group plays Bennett's Chop and Railhouse in St. Paul, providing the nondescript establishment with a cachet matching those of the Twin Cities' more visible jazz venues: the Dakota Jazz Club in Minneapolis, the Artists' Quarter in St. Paul, the Northrop Jazz series at the University of Minnesota, and Garrison Keillor's Prairie Home Companion broadcasts.
Situated where neighborhood-meets-city near an old railway on West 7th Street and Victoria Avenue, Bennett's features a weekly menu of American food specials, along with performances by some of Minnesota's best, home-grown jazz musicians on the second and last Tuesdays of each month.
The six members of the Evans ensemble enjoy prominent mindshares among Minnesota's jazz fans, while three have become living legends. DeVore can recount tales of playing at Brady's Pub in the 1960s on Block E in downtown Minneapolis. He, trombonist Evans, and pianist Mike Polad also are longtime veterans of the Emporium of Jazz in Mendota, across the Minnesota River south of the MSP airport. I saw and heard them there during forays with my law firm colleagues in the 1970s.
Members of a younger generation round out the ranks: clarinetist Tony Balluff, bassist Steve Puttell, and drummer Chuck DeVore, son of the cornetist. Balluff also plays with the Southside Aces, a jazz group he founded in south Minneapolis, and he annually pulls together the 34th Street Irregulars to march in the city's May Day Parade.
As a part-time sports bar, Bennett's best-of-both-worlds setup includes a flat screen television above the musicians. This allowed diners to bop along with the Evans band while watching Flomax commercials and the Wisconsin Badgers kick the Miami Hurricanes' collective backside, 20-14, in the Champ Sports Bowl. On days of Vikings home football games, Bennett's runs a shuttle bus to and from the Metrodome in Minneapolis.
The weekly menu specials include half-price apps and bottles of wine on Monday, walleye dinners on Tuesday, T-bones on Wednesday, half-price burgers on Thursday, all-you-can-eat crab on Friday, prime ribs on Saturday, and kids free on Sunday.
Jazz night clientele includes a man attired in a jacket from the American Legion Post in Inver Grove Heights; a couple who heard their first jazz music concert outdoors at the Lake Harriet Bandshell in Minneapolis, then attended the Emporium for many years, and soon will embark on their 15th annual jazz music cruise; and a man whose last cruise took place in 1945 when a 20mm gun was positioned above his bunk in the North Atlantic.
Bennett's eclectic ambience, decor, and patronage remind me of Jimmy Hegg's Restaurant, a former destination spot on Second Avenue South in downtown Minneapolis. For lunch and after work, lawyers and business people worshipped at St. Hegg's, ushered to their seats by Jimmy's wife, Jeannette, and officiated by Jimmy from his stool at the cash register. Late nights, the place became the town's central theater hangout, a place where the late Mike Steele, the theater critic, could appear in person to read aloud his review that would appear in the next morning's newspaper. Hegg's closed in 1982.
A similar feeling of communal ritual pervades the jazz night at Bennett's. On the 29th, the BENOJB offered three sets within three hours, separated by breaks not exceeding 10 minutes. The group performed many tunes from the 1930s, including "Algier's Street," "Honey Hush," "Bugle Boy March," and a rousing rendition of "Happy Birthday" for Tom Steele, a diehard fan of 83.
Throughout, the elder DeVore maintained a two-way conversation with the audience between numbers. "The music sounds great!" someone said.
"I don't know what happened," he replied.
In-town for the holidays, two guest musicians sat-in for the second and third sets: clarinetist and vocalist Andy Moore, and soprano saxophonist Henry Blackburn. Moore is a son of the late Dave Moore, the pioneering news anchor for WCCO Television in Minneapolis.
Blackburn's sax and Moore's voice sang sweetly and sonorously through Sidney Bechet's "Promenade Aux Champs-Élysées." Hearing it reminded me of another sweet experience with Bechet, that of seeing Danny Buraczeski's choreographed "Blue On The Moon," performed by Zenon Dance Company in 1989 at the Ordway in St. Paul and the Joyce Theater in New York.
Moore also vocalized Fats Waller's "If It Ain't Love" from music Polad found in a music store in Bayfield, Wisconsin. Other tunes included "It's Beginning to Look a Lot Like New Year's," "All the Wrongs You've Done To Me," and "Just a Little While to Stay" – this last an audience sing-along.
Duke Ellington's "Creole Love Call" opened with three clarinets and later featured a sublimely sweet clarinet solo by Balluff. ("Tony: Call me!") For "Shake and Break," two women of a certain age danced among the restaurant tables, one spinning a lavender parasol as she moved. Charlie DeVore provided the vocals and scat from "Why Don't You Go Down to New Orleans." The audience provided vocals for the closer, "Auld Lang Syne."
Over the years, I have spent time at the Blue Note in New York City with Buraczeski, at Yoshi's in Oakland, California, with former ballet dancer and jazz musician John DeSerio, and numerous evenings at Twin Cities jazz venues.
The evening with the Bill Evans New Orleans Jazz Band at Bennett's in St. Paul ranks with the best of them. The group returns there Tuesday, Jan. 12, with Sonny Leland on the piano.
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For three magical hours, Dec. 29, members of the Bill Evans New Orleans Jazz Band and their audience of dinner customers journeyed through the quintessence of Minnesota's jazz traditions. At its end, the cornetist Charlie DeVore observed "We haven't had such a wild evening here in years."
Exceptional music – and the occasional wild evening – happens whenever the group plays Bennett's Chop and Railhouse in St. Paul, providing the nondescript establishment with a cachet matching those of the Twin Cities' more visible jazz venues: the Dakota Jazz Club in Minneapolis, the Artists' Quarter in St. Paul, the Northrop Jazz series at the University of Minnesota, and Garrison Keillor's Prairie Home Companion broadcasts.
Situated where neighborhood-meets-city near an old railway on West 7th Street and Victoria Avenue, Bennett's features a weekly menu of American food specials, along with performances by some of Minnesota's best, home-grown jazz musicians on the second and last Tuesdays of each month.
The six members of the Evans ensemble enjoy prominent mindshares among Minnesota's jazz fans, while three have become living legends. DeVore can recount tales of playing at Brady's Pub in the 1960s on Block E in downtown Minneapolis. He, trombonist Evans, and pianist Mike Polad also are longtime veterans of the Emporium of Jazz in Mendota, across the Minnesota River south of the MSP airport. I saw and heard them there during forays with my law firm colleagues in the 1970s.
Members of a younger generation round out the ranks: clarinetist Tony Balluff, bassist Steve Puttell, and drummer Chuck DeVore, son of the cornetist. Balluff also plays with the Southside Aces, a jazz group he founded in south Minneapolis, and he annually pulls together the 34th Street Irregulars to march in the city's May Day Parade.
As a part-time sports bar, Bennett's best-of-both-worlds setup includes a flat screen television above the musicians. This allowed diners to bop along with the Evans band while watching Flomax commercials and the Wisconsin Badgers kick the Miami Hurricanes' collective backside, 20-14, in the Champ Sports Bowl. On days of Vikings home football games, Bennett's runs a shuttle bus to and from the Metrodome in Minneapolis.
The weekly menu specials include half-price apps and bottles of wine on Monday, walleye dinners on Tuesday, T-bones on Wednesday, half-price burgers on Thursday, all-you-can-eat crab on Friday, prime ribs on Saturday, and kids free on Sunday.
Jazz night clientele includes a man attired in a jacket from the American Legion Post in Inver Grove Heights; a couple who heard their first jazz music concert outdoors at the Lake Harriet Bandshell in Minneapolis, then attended the Emporium for many years, and soon will embark on their 15th annual jazz music cruise; and a man whose last cruise took place in 1945 when a 20mm gun was positioned above his bunk in the North Atlantic.
Bennett's eclectic ambience, decor, and patronage remind me of Jimmy Hegg's Restaurant, a former destination spot on Second Avenue South in downtown Minneapolis. For lunch and after work, lawyers and business people worshipped at St. Hegg's, ushered to their seats by Jimmy's wife, Jeannette, and officiated by Jimmy from his stool at the cash register. Late nights, the place became the town's central theater hangout, a place where the late Mike Steele, the theater critic, could appear in person to read aloud his review that would appear in the next morning's newspaper. Hegg's closed in 1982.
A similar feeling of communal ritual pervades the jazz night at Bennett's. On the 29th, the BENOJB offered three sets within three hours, separated by breaks not exceeding 10 minutes. The group performed many tunes from the 1930s, including "Algier's Street," "Honey Hush," "Bugle Boy March," and a rousing rendition of "Happy Birthday" for Tom Steele, a diehard fan of 83.
Throughout, the elder DeVore maintained a two-way conversation with the audience between numbers. "The music sounds great!" someone said.
"I don't know what happened," he replied.
In-town for the holidays, two guest musicians sat-in for the second and third sets: clarinetist and vocalist Andy Moore, and soprano saxophonist Henry Blackburn. Moore is a son of the late Dave Moore, the pioneering news anchor for WCCO Television in Minneapolis.
Blackburn's sax and Moore's voice sang sweetly and sonorously through Sidney Bechet's "Promenade Aux Champs-Élysées." Hearing it reminded me of another sweet experience with Bechet, that of seeing Danny Buraczeski's choreographed "Blue On The Moon," performed by Zenon Dance Company in 1989 at the Ordway in St. Paul and the Joyce Theater in New York.
Moore also vocalized Fats Waller's "If It Ain't Love" from music Polad found in a music store in Bayfield, Wisconsin. Other tunes included "It's Beginning to Look a Lot Like New Year's," "All the Wrongs You've Done To Me," and "Just a Little While to Stay" – this last an audience sing-along.
Duke Ellington's "Creole Love Call" opened with three clarinets and later featured a sublimely sweet clarinet solo by Balluff. ("Tony: Call me!") For "Shake and Break," two women of a certain age danced among the restaurant tables, one spinning a lavender parasol as she moved. Charlie DeVore provided the vocals and scat from "Why Don't You Go Down to New Orleans." The audience provided vocals for the closer, "Auld Lang Syne."
Over the years, I have spent time at the Blue Note in New York City with Buraczeski, at Yoshi's in Oakland, California, with former ballet dancer and jazz musician John DeSerio, and numerous evenings at Twin Cities jazz venues.
The evening with the Bill Evans New Orleans Jazz Band at Bennett's in St. Paul ranks with the best of them. The group returns there Tuesday, Jan. 12, with Sonny Leland on the piano.
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Tuesday, December 22, 2009
First 2010 round: Metro arts grants total $817,275
Minneapolis, Minnesota
In the first round of grant making for three of its 2010 funding programs, the Metropolitan Regional Arts Council, based in St. Paul, awarded 120 grants totaling $817,275. Contracts and checks will be issued to organizations with budgets less than $300,000 and located in the seven metropolitan counties of greater Minneapolis and St. Paul. MRAC operates on a fiscal year of July 1 to June 30, and receives its grant funds from the Minnesota State Legislature, the Minnesota Arts and Cultural Heritage Fund, and the McKnight Foundation.
Earlier in December, MRAC announced its first round of Community Arts Grant Awards. Grants to 62 organizations totaled $265,265, an average of $4,278 each.
In November, MRAC announced its first round of Creative Intersection Grant Awards: Rosemount Area Arts Council, $7,300, Dakota County; East Side Arts Council, $10,000, Ramsey County; St. Paul Almanac, $10,000, Ramsey County; New Prague Arts Council, $8,000, Scott County; St. Louis Park Friends of the Arts, $10,000, Suburban Hennepin County.
In September, 53 organizations received $506,710, an average of $9,560 each, in the first round of Arts Activity Support Grants.
MRAC received 384 grant requests in 2009 and awarded 254 grants totaling $1,007,491. First-time applicants received seven percent of the grants. According to MRAC's December newsletter, funded projects served 11,685 artists and reached approximately 395,000 audience members. MRAC also provided 38 skill-building workshops and networking activities for people from more than 270 organizations.
MRAC is one of 11 regional arts councils serving the state of Minnesota. The Minnesota State Arts Board makes grants statewide to organizations with budgets exceeding $300,000.
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In the first round of grant making for three of its 2010 funding programs, the Metropolitan Regional Arts Council, based in St. Paul, awarded 120 grants totaling $817,275. Contracts and checks will be issued to organizations with budgets less than $300,000 and located in the seven metropolitan counties of greater Minneapolis and St. Paul. MRAC operates on a fiscal year of July 1 to June 30, and receives its grant funds from the Minnesota State Legislature, the Minnesota Arts and Cultural Heritage Fund, and the McKnight Foundation.
Earlier in December, MRAC announced its first round of Community Arts Grant Awards. Grants to 62 organizations totaled $265,265, an average of $4,278 each.
Anoka County: Mississippi Valley Orchestra, $4,000; North Artists Studio Crawl, $3,500; Northern Symphony Orchestra, $5,000.
Carver County: ISD 112 Community Education, $4,600; River City Theatre Company, $5,000; Watertown Film Festival, $5,000.
Dakota County: Burnsville Visual Art Society, $2,278; Chamber Music Lakeville, $5,000; City of South St. Paul, $5,000; Dakota County Public Health, $5,000; Dakota Valley Symphony, $5,000; International Festival of Burnsville, $5,000; South Metro Chorale, $5,000; The Play's the Thing Productions, $5,000; Velvet Tones, $4,430.
Hennepin County: Diverse Emerging Music Organization, $4,624; Eclectic Edge Ensemble, $5,000; Grassroots Culture, $4,315; HUGE Theater, $5,000; Lao Assistance Center of Minnesota, $5,000; Lao Women Association, $5,000; Lao Writers Summit, $5,000; Minneapolis Southside Singers, $5,000; Nimbus Theatre, $5,000; Northeast Minneapolis Arts Association, $5,000; Puppet Farm Art, $2,500; Southside Family Nurturing Center, $5,000; Twin Cities Jazz Workshops, $5,000; Works Progress, $4,945.
Ramsey County: Bridge Productions, $5,000; Lex-Ham Community Arts, $920; Magic Lantern Puppet Theater, $3,800; Metropolitan Symphony Orchestral Association, $2,500; Minnesota Freedom Band, $2,500; Minnesota State Band, $4,910; Music in the Park Series, $5,000; Saint Paul Almanac, $5,000; Savage Umbrella, $2,868; Twin Cities Housing and Development Corporation, Liberty Plaza, $4,500; Vietnamese Community of Minnesota, $2,800; What About Us, $2,100; Women's Drum Center, $5,000.
Scott County: Jordan Art Festival, $5,000; River Valley Theatre Company, $5,000.
Suburban Hennepin County: Allegro Orchestral Association, $5,000; Continental Ballet Company, $5,000; Cross Community Players, $5,000; Music Association of Minnetonka, $4,985; Orono Community Education, $2,525; Thursday Musical, $4,000; Twin Cities Youth Chorale, $1,900.
Suburban Ramsey County: Community Partners of Youth, $4,285; Encore Wind Ensemble, $2,000; Heritage Theatre Company, $5,000; Honeywell Concert Band, $3,000; Lakeshore Players, Inc., $5,000; North Suburban Chorus, $3,000; Twin Cities Housing and Development Corporation, Calibre Ridge, $4,000.
Washington County: FamilyMeans - Cimarron Youth Development Initiative, $5,000; FamilyMeans - Landfall Youth Development Initiative, $4,880; Summer Tuesdays, $3,600; White Pine Festival, $5,000.
In November, MRAC announced its first round of Creative Intersection Grant Awards: Rosemount Area Arts Council, $7,300, Dakota County; East Side Arts Council, $10,000, Ramsey County; St. Paul Almanac, $10,000, Ramsey County; New Prague Arts Council, $8,000, Scott County; St. Louis Park Friends of the Arts, $10,000, Suburban Hennepin County.
In September, 53 organizations received $506,710, an average of $9,560 each, in the first round of Arts Activity Support Grants.
Dakota County: Caponi Art Park, $10,000; International Friendship Through the Performing Arts, $10,000.
Hennepin County: 3-Minute Egg, $8,600; Ananya Dance Theater, $10,000; ARENA Dances, Inc., $10,000; Art Shanty Projects, $10,000; ArtiCulture, $5,950; Ascension Place, $4,000; Body Cartography Project, $10,000; Camden Music School, Dave DeGennars and Circus Minimus Puppetry, $10,000; Catalyst, $10,000; Deepashika, $10,000; Frank Theatre, $10,000; Global Site Performance, $4,600; Iraqi and American Reconciliation Project, $10,000; JazzMN, Inc., $10,000; Kairos Dance Theatre, $10,000; Live Action Set, $10,000; Minneapolis Pops Orchestral Association, $10,000; Minnesota Guitar Society, $9,000; Mizna, $10,000; Off-Leash Area, $10,000; Open Eye Figure Theater, $10,000; Orchestra, $10,000; Plymouth Christian Youth Center, $10,000; Red Eye Collaboration, $10,000; Sandbox Theatre, $10,000; Speaking of Home, $6,960; Theatre Unbound, $9,600; TVbyGirls, $10,000; Walking Shadow Theatre Company, $10,000; Workhaus Playwrights Collective, $10,000; Zorongo Flamenco Dance Theatre, $10,000.
Ramsey County: CAAM Chinese Dance Theater, $10,000; East Side Arts Countil, $10,000; Gremlin Theatre, $10,000; Hot Summer Jazz Festival, $10,000; Minnesota Chinese Dance Theater, $10,000; Minnesota Jewish Theatre Company, $10,000; One Voice Mixed Chorus, $10,000; Oratorio Society of Minnesota, $10,000; Riverview Economic Development Association, $10,000; Selby Area Community Development, $8,000; Sounds of Hope, Ltd., $10,000; St. Paul Art Collective, $10,000; Teatro del Pueblo, $10,000; TU Dance, $10,000; Twin Cities Women's Choir, $10,000; Wishes for the Sky, $10,000; Zeitgeist, $10,000.
Suburban Hennepin County: Katha Dance Theatre, $10,000.
Suburbay Ramsey County: Ashland Productions, $10,000.
Washington County: St. Croix Concert Series, $10,000.
MRAC received 384 grant requests in 2009 and awarded 254 grants totaling $1,007,491. First-time applicants received seven percent of the grants. According to MRAC's December newsletter, funded projects served 11,685 artists and reached approximately 395,000 audience members. MRAC also provided 38 skill-building workshops and networking activities for people from more than 270 organizations.
MRAC is one of 11 regional arts councils serving the state of Minnesota. The Minnesota State Arts Board makes grants statewide to organizations with budgets exceeding $300,000.
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Saturday, December 12, 2009
Broadcast: Summit on Leading in Crisis
Minneapolis, Minnesota
Bill George, professor of management practice at Harvard Business School, moderated a "Summit on Leading in Crisis: Personal stories from the trenches," Sept. 17, at the Ted Mann Concert Hall at the University of Minnesota-Minneapolis. The summit's four panel members included John Donahoe, chair and CEO, eBay; David Gergen, CNN commentator and Director, Center for Public Leadership, Harvard Kennedy School; Anne Mulcahy, chair and former CEO, Xerox; and Marilyn Carlson Nelson, chair and former CEO, Carlson Companies.
The panel members have dealt with crises radiating from the White House, offices and boardrooms of global companies, and their own personal lives. Their discussion touches on the causes behind many of the problems our country faces and the ways that courageous leaders can address them.
Twin Cities Public Television (tpt) will initially broadcast an hour-long recording of the panel's discussion three times: Sunday, Dec. 13, tpt2, 4pm; Sunday, Dec. 13, tptMN, 9pm; and Sunday, Dec. 20, tptLIFE, 1pm. Minnesota viewers should check local listings for stations.
A free DVD of the program, Leading in Crisis: Personal Stories, is available from the George Family Foundation, 612-377-3356.-
Bill George, professor of management practice at Harvard Business School, moderated a "Summit on Leading in Crisis: Personal stories from the trenches," Sept. 17, at the Ted Mann Concert Hall at the University of Minnesota-Minneapolis. The summit's four panel members included John Donahoe, chair and CEO, eBay; David Gergen, CNN commentator and Director, Center for Public Leadership, Harvard Kennedy School; Anne Mulcahy, chair and former CEO, Xerox; and Marilyn Carlson Nelson, chair and former CEO, Carlson Companies.
The panel members have dealt with crises radiating from the White House, offices and boardrooms of global companies, and their own personal lives. Their discussion touches on the causes behind many of the problems our country faces and the ways that courageous leaders can address them.
Twin Cities Public Television (tpt) will initially broadcast an hour-long recording of the panel's discussion three times: Sunday, Dec. 13, tpt2, 4pm; Sunday, Dec. 13, tptMN, 9pm; and Sunday, Dec. 20, tptLIFE, 1pm. Minnesota viewers should check local listings for stations.
A free DVD of the program, Leading in Crisis: Personal Stories, is available from the George Family Foundation, 612-377-3356.-
Monday, November 30, 2009
Lake Calhoun in November
Minneapolis, Minnesota
Saturday, Nov. 7 – Hordes of humanity circling Minneapolis' Lake Calhoun on a glorious afternoon lend an illusion of strolling the streets of Manhattan or San Francisco! A bald eagle, large as a fire hydrant, held court above the south side of the lake, tieing up traffic.
Sunday, Nov. 8 – November in Minneapolis, and nightime runners circling Lake Calhoun are shirtless! Very warm out there, and very quiet.
Friday, Nov. 13 – I love that I can own exclusively for 75 minutes the luscious and quiet Minnesota mist that shrouds Lake Calhoun tonight! Gorgeous!
Tuesday, Nov. 17 – Kissed by another November day of sun!
Friday, Nov. 20 – A season suspended against itself! Yet another day of warm light, perfect for circling Lake Calhoun to frame up the structure of a performance review. Yet...1 in 10 Minnesota kids is hungry every day; 91,000 mortgage foreclosures in our state; sick people will be denied care at our county hospital; and people's fortunes, families, and souls are stressed. My task today: absorb the light and unleash compassion.
Saturday, Nov. 21 – Several times I have run into Dick Maw of Dick Maw Fine Art, Elk River, Minnesota, who holds court with his artwork on the west side of Lake Calhoun. He also keeps a place in Mineral Wells, Texas, just outside Ft. Worth.
Monday, Nov. 23 – Scenes of the day: The giant bald eagle held court on the north end of Lake Calhoun today. The IDS Crystal Court in downtown Minneapolis has its holiday decor in place. Given 51º temps, the ice-skating rink next to downtown St. Paul's Landmark Center is nowhere near frozen, but the Saint Paul Hotel has its holiday finery in place!
Wednesday, Nov. 25 – Steel-gray shadows and a brisk-brrr, northwest wind skimmed the surface of Lake Calhoun today. Scores of Canadian geese anchored in the southwest bay. Hordes of crows rested in the southern woods leading to Lake Harriet. The main dock, set loose two weeks ago to drift for the winter, rests several yards offshore at the northwest corner. Water level down noticeably in the last two weeks. No bald eagle today.
Thursday, Nov. 26 – Morning at Lake Calhoun. Intensely quiet. Small groupings of ducks replaced yesterday's geese. Stumps from trees removed yesterday. 7-foot emergency rescue boards at intervals, lashed to signs reading "Keep Off Dangerous Ice Not Safe." Dog walkers: some really do look like their dogs. Runners: some have trouble breathing in good air of life, others troubled exhaling used life, and some have perfect balance of both.
Saturday, Nov. 28 – White light to the west and south meets and mixes with blue light to the east and north over Lake Calhoun. So does warm sun and cool air. Busy! Proficient roller skater to one less so: "I am glad to see you again." Dick Maw and his artwork in residence on west side. Crows heard not seen in Lakewood Cemetery woods on southeast side. Seagulls maintain staked claim to floating dock. New puppies strain at leashes; old dogs amble with slow gait. Silent, stoic faces of an extended family unit surely belie their inner enthusiasm and excitement for each other and the day. Trees with golden leaves still shimmer with joy against the sky - all others bare. Wake of two lone ducks slices glass surface of north side where surrounding buildings reflect their full height. Distant smoke suggests large fire in north Minneapolis. This suspension of real winter is like the quilt of a Sunday afternoon before Monday morning.
Sunday, Nov. 29 – Rained last night. Dark, steel-gray and gentle waves on Lake Calhoun under quiet, heavy clouds. Cool, but not too. Could be snow clouds if temp drops.
Monday, Nov. 30 – Bright sun filtering through high layers of white clouds, layered with a bit of blue. Calm silver waves on western Lake Calhoun today. Dick Maw and artwork in residence on west side. 100+ geese at rest and chatting quietly in the southwest bay. Unusual clarity for the lines, settings, and landscaping of the manses lining the south side. Very unusual train whistle from somewhere in western Linden Hills to the southwest; cannot picture the location of those tracks. Snow fence and new lamp posts installed today around new parking bays on south side. Last evening, a stranger responded to my comment to a Facebook friend asking whether I had ever taken the ferry from Boston to Provincetown, as my name is familiar and she has a picture that looks like me. Replied that I have never been to Boston or P-Town but would like to, but did we meet in New Delhi in 1986 because her name also is familiar? She has never been to Delhi, but would like to. Golden leaves have all left the circle of the lake. Waves lapping in continuously on east side. Two ducks at the north side - same as made the wake two days ago? - approached within three feet, on land, totally unimpressed by the presence of humans. Chill, but not cold. November = 30 days x 3.1 miles = 93 miles.
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Saturday, Nov. 7 – Hordes of humanity circling Minneapolis' Lake Calhoun on a glorious afternoon lend an illusion of strolling the streets of Manhattan or San Francisco! A bald eagle, large as a fire hydrant, held court above the south side of the lake, tieing up traffic.
Friday, Nov. 13 – I love that I can own exclusively for 75 minutes the luscious and quiet Minnesota mist that shrouds Lake Calhoun tonight! Gorgeous!
Tuesday, Nov. 17 – Kissed by another November day of sun!
Friday, Nov. 20 – A season suspended against itself! Yet another day of warm light, perfect for circling Lake Calhoun to frame up the structure of a performance review. Yet...1 in 10 Minnesota kids is hungry every day; 91,000 mortgage foreclosures in our state; sick people will be denied care at our county hospital; and people's fortunes, families, and souls are stressed. My task today: absorb the light and unleash compassion.
Saturday, Nov. 21 – Several times I have run into Dick Maw of Dick Maw Fine Art, Elk River, Minnesota, who holds court with his artwork on the west side of Lake Calhoun. He also keeps a place in Mineral Wells, Texas, just outside Ft. Worth.
Monday, Nov. 23 – Scenes of the day: The giant bald eagle held court on the north end of Lake Calhoun today. The IDS Crystal Court in downtown Minneapolis has its holiday decor in place. Given 51º temps, the ice-skating rink next to downtown St. Paul's Landmark Center is nowhere near frozen, but the Saint Paul Hotel has its holiday finery in place!
Thursday, Nov. 26 – Morning at Lake Calhoun. Intensely quiet. Small groupings of ducks replaced yesterday's geese. Stumps from trees removed yesterday. 7-foot emergency rescue boards at intervals, lashed to signs reading "Keep Off Dangerous Ice Not Safe." Dog walkers: some really do look like their dogs. Runners: some have trouble breathing in good air of life, others troubled exhaling used life, and some have perfect balance of both.
Saturday, Nov. 28 – White light to the west and south meets and mixes with blue light to the east and north over Lake Calhoun. So does warm sun and cool air. Busy! Proficient roller skater to one less so: "I am glad to see you again." Dick Maw and his artwork in residence on west side. Crows heard not seen in Lakewood Cemetery woods on southeast side. Seagulls maintain staked claim to floating dock. New puppies strain at leashes; old dogs amble with slow gait. Silent, stoic faces of an extended family unit surely belie their inner enthusiasm and excitement for each other and the day. Trees with golden leaves still shimmer with joy against the sky - all others bare. Wake of two lone ducks slices glass surface of north side where surrounding buildings reflect their full height. Distant smoke suggests large fire in north Minneapolis. This suspension of real winter is like the quilt of a Sunday afternoon before Monday morning.
Sunday, Nov. 29 – Rained last night. Dark, steel-gray and gentle waves on Lake Calhoun under quiet, heavy clouds. Cool, but not too. Could be snow clouds if temp drops.
Monday, Nov. 30 – Bright sun filtering through high layers of white clouds, layered with a bit of blue. Calm silver waves on western Lake Calhoun today. Dick Maw and artwork in residence on west side. 100+ geese at rest and chatting quietly in the southwest bay. Unusual clarity for the lines, settings, and landscaping of the manses lining the south side. Very unusual train whistle from somewhere in western Linden Hills to the southwest; cannot picture the location of those tracks. Snow fence and new lamp posts installed today around new parking bays on south side. Last evening, a stranger responded to my comment to a Facebook friend asking whether I had ever taken the ferry from Boston to Provincetown, as my name is familiar and she has a picture that looks like me. Replied that I have never been to Boston or P-Town but would like to, but did we meet in New Delhi in 1986 because her name also is familiar? She has never been to Delhi, but would like to. Golden leaves have all left the circle of the lake. Waves lapping in continuously on east side. Two ducks at the north side - same as made the wake two days ago? - approached within three feet, on land, totally unimpressed by the presence of humans. Chill, but not cold. November = 30 days x 3.1 miles = 93 miles.
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Tuesday, November 24, 2009
Review: Zenon Dance Company at the Ritz Theater
Minneapolis, Minnesota
Given the depth and breadth of dance-making in the Twin Cities, one expects and takes for granted that dances choreographed here for the concert stage usually will be good, if not very good. So it has been since the start of the current performance season in September. What has been remarkable to my eye over the last three months, however, is the absence of truly compelling choreography: work that cannot – should not – be missed and might need to be seen to be believed.
The 27th fall concerts of Minnesota's Zenon Dance Company, which opened at the Ritz Theater, Nov. 19, crystallized this dawning realization but did not prompt it. The programs of Ananya Dance Theatre, Zorongo Flamenco Dance Theatre, Ballet of the Dolls, Minnesota Dance Theatre, James Sewell Ballet, Arena Dances, and Zenon certainly have displayed strong choreographic competence and generally strong dancing with much to like, particularly the dancing. All, however, left me wanting – je ne sais quoi.
That may simply reflect the cycle of the creative zeitgeist – or the current settings on my perceptual filters.
Zenon's show opened with the premiere of "The Laws of Falling Bodies," a contemporary work for seven dancers by Sydney Skybetter and his first commission for the company. I was anxious to see his work for the first time, even if the music for this dance was an electronic score by Jonny Greenwood instead of the more elegiac sounding selections (e.g., Dvorák, Schumann, Arvo Part) I had read about for some of Skybetter's earlier creations. The man can create visually and emotionally arresting dances (see his website), especially "Near Abroad" from 2008. Unfortunately, "Falling Bodies" is not one of them, particularly in its first four minutes. The work appears at first to be a study of people using each other and saving themselves from each other, all while trying to distance themselves from each other. Over time, it evolves into a picture of people holding up the most fragile or endangered among them, but one wonders why we should care and where the rest of the story went.
With a Master's Degree in dance performance and choreography from New York University, and performance credits with the likes of Christopher Williams, Larry Keigwin, Kun-Yang Lin, Gus Solomons jr, and others, Skybetter's is one of the most interesting emergent voices at work these days. Zenon's artistic director, Linda Andrews, would do very well to invite him back to secure another new work – perhaps a half-evening effort for the 2011 opening of the Minnesota Shubert Center.
Skybetter and his company will perform in January at Joyce SoHo and the Skirball Center during the APAP Conference in New York.
A second premiere, "Filament," is a solo work created by Emilie Plauché Flink, artistic associate of Minnesota's Black Label Movement. The dance begins in silence, then is joined by the electronic strings of "Luna" from the "Touch It" CD by the Minneapolis-based Jelloslave. Although the movement has a minimalist feel, the impact of its expression by Tamara Ober was anything but as she threw herself about the stage, at times appearing to pedal an invisible bicycle while supine. Mary Ann Bradley will dance the role Nov. 27-29.
Flink's artistic pedigree includes a BFA degree in dance from the Juilliard School, 11 years of performance with the Limón Dance Company, and performances for Annabelle Gamson and Martha Clark. She also worked briefly for the Minnesota Crafts Council, an undertaking that helped inspire her to create sculpture and furniture from found/cast-off objects.
This latter impulse no doubt provided a seed for the metallic-looking set piece for "Filament," designed by Annie Katsura Rollins. Part oversized beehive, and part cave lined with brass, Aztec dishware, the set lived in shadows and invested the proceedings with a cocoon-like refuge.
In Mitch Albom's 2004 book, "The Five People You Meet in Heaven," Eddie, the principal character, encounters five individuals after dying in an accident in his old age. One of these is Marguerite, his long-dead wife, who when he sees her is handing out chocolates at a wedding "for the bitter and the sweet." Eddie, who had loved her from the moment they met and never cared for anyone else as much, tells her how much he has missed her. "Lost love," she consoles him, "is still love."
A similar theme is at work in a third Zenon premiere, "Here, now that you are gone..." Set in three sections to music by Charlie Byrd, Toots Thielemans, and Stéphane Grappelli, the jazz duet, danced beautifully and buoyantly by Gregory Waletski and Bradley, recalls "his" love and the instances of their life together. According to program notes, as he is drawn into his memories he must decide either to remain in the past or to continue on.
The choreography by Judith James Ries, a former principal dancer for Danny Buraczeski's JAZZDANCE, acquaints us with the memory in the first segment, sands off any rough edges that may have informed the past relationship in the second, and leaves us to wonder in the third whether the memory or Waletski will let go first. Ultimately, Bradley, as the memory, exits stage right while Waletski remains in reverie stage left. My bet: he continues on but does not move on.
In addition to teaching at the Saint Paul Conservatory for Performing Arts, Hamline University, and Zenon Dance School, one of Ries's next projects will be creating choreography for Park Square Theatre's 2010 production of "Rock and Roll."
Two repertory works completed the Zenon program.
"Not From Texas," looking like three pieces of cotton candy at the Texas State Fair, entertains without audience effort. Amazingly for Zenon, however, on Nov. 20 the four men appeared to mark the opening quartet with little authentic personality in what should have been a raucous stemwinder to Lyle Lovett's "Long Tall Texan." The succeeding sections, also to Lovett, looked more taut and together, especially the middle duet by Bradley and Waletski. The wife-husband team of Megan McClellan and Brian Sostek provided the whimsical choreography that debuted earlier this year.
"Booba," an odd set of excerpts from a 2008 work by Andrea Miller, closed the show, first with a showcase for six dancers, followed by a duet of Bryan Godbout and Leslie O'Neill. Although the most structurally strong part of the evening, the group work lacked interest, particularly the pseudo-shimmying across the stage to the rhythmic music by Balkan Beat Box. Godbout and O'Neill provided a picture-pleasing finish to the most colorful (costume-wise) and brightly lit dance of the evening.
Zenon Dance Company's 27th fall concerts will continue, Fri-Sun, Nov. 27-29, at the Ritz Theater, 345 13th Avenue NE, Minneapolis. For tickets call 612.436.1129.
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Given the depth and breadth of dance-making in the Twin Cities, one expects and takes for granted that dances choreographed here for the concert stage usually will be good, if not very good. So it has been since the start of the current performance season in September. What has been remarkable to my eye over the last three months, however, is the absence of truly compelling choreography: work that cannot – should not – be missed and might need to be seen to be believed.
The 27th fall concerts of Minnesota's Zenon Dance Company, which opened at the Ritz Theater, Nov. 19, crystallized this dawning realization but did not prompt it. The programs of Ananya Dance Theatre, Zorongo Flamenco Dance Theatre, Ballet of the Dolls, Minnesota Dance Theatre, James Sewell Ballet, Arena Dances, and Zenon certainly have displayed strong choreographic competence and generally strong dancing with much to like, particularly the dancing. All, however, left me wanting – je ne sais quoi.
That may simply reflect the cycle of the creative zeitgeist – or the current settings on my perceptual filters.
Zenon's show opened with the premiere of "The Laws of Falling Bodies," a contemporary work for seven dancers by Sydney Skybetter and his first commission for the company. I was anxious to see his work for the first time, even if the music for this dance was an electronic score by Jonny Greenwood instead of the more elegiac sounding selections (e.g., Dvorák, Schumann, Arvo Part) I had read about for some of Skybetter's earlier creations. The man can create visually and emotionally arresting dances (see his website), especially "Near Abroad" from 2008. Unfortunately, "Falling Bodies" is not one of them, particularly in its first four minutes. The work appears at first to be a study of people using each other and saving themselves from each other, all while trying to distance themselves from each other. Over time, it evolves into a picture of people holding up the most fragile or endangered among them, but one wonders why we should care and where the rest of the story went.
With a Master's Degree in dance performance and choreography from New York University, and performance credits with the likes of Christopher Williams, Larry Keigwin, Kun-Yang Lin, Gus Solomons jr, and others, Skybetter's is one of the most interesting emergent voices at work these days. Zenon's artistic director, Linda Andrews, would do very well to invite him back to secure another new work – perhaps a half-evening effort for the 2011 opening of the Minnesota Shubert Center.
Skybetter and his company will perform in January at Joyce SoHo and the Skirball Center during the APAP Conference in New York.
A second premiere, "Filament," is a solo work created by Emilie Plauché Flink, artistic associate of Minnesota's Black Label Movement. The dance begins in silence, then is joined by the electronic strings of "Luna" from the "Touch It" CD by the Minneapolis-based Jelloslave. Although the movement has a minimalist feel, the impact of its expression by Tamara Ober was anything but as she threw herself about the stage, at times appearing to pedal an invisible bicycle while supine. Mary Ann Bradley will dance the role Nov. 27-29.
Flink's artistic pedigree includes a BFA degree in dance from the Juilliard School, 11 years of performance with the Limón Dance Company, and performances for Annabelle Gamson and Martha Clark. She also worked briefly for the Minnesota Crafts Council, an undertaking that helped inspire her to create sculpture and furniture from found/cast-off objects.
This latter impulse no doubt provided a seed for the metallic-looking set piece for "Filament," designed by Annie Katsura Rollins. Part oversized beehive, and part cave lined with brass, Aztec dishware, the set lived in shadows and invested the proceedings with a cocoon-like refuge.
In Mitch Albom's 2004 book, "The Five People You Meet in Heaven," Eddie, the principal character, encounters five individuals after dying in an accident in his old age. One of these is Marguerite, his long-dead wife, who when he sees her is handing out chocolates at a wedding "for the bitter and the sweet." Eddie, who had loved her from the moment they met and never cared for anyone else as much, tells her how much he has missed her. "Lost love," she consoles him, "is still love."
A similar theme is at work in a third Zenon premiere, "Here, now that you are gone..." Set in three sections to music by Charlie Byrd, Toots Thielemans, and Stéphane Grappelli, the jazz duet, danced beautifully and buoyantly by Gregory Waletski and Bradley, recalls "his" love and the instances of their life together. According to program notes, as he is drawn into his memories he must decide either to remain in the past or to continue on.
The choreography by Judith James Ries, a former principal dancer for Danny Buraczeski's JAZZDANCE, acquaints us with the memory in the first segment, sands off any rough edges that may have informed the past relationship in the second, and leaves us to wonder in the third whether the memory or Waletski will let go first. Ultimately, Bradley, as the memory, exits stage right while Waletski remains in reverie stage left. My bet: he continues on but does not move on.
In addition to teaching at the Saint Paul Conservatory for Performing Arts, Hamline University, and Zenon Dance School, one of Ries's next projects will be creating choreography for Park Square Theatre's 2010 production of "Rock and Roll."
Two repertory works completed the Zenon program.
"Not From Texas," looking like three pieces of cotton candy at the Texas State Fair, entertains without audience effort. Amazingly for Zenon, however, on Nov. 20 the four men appeared to mark the opening quartet with little authentic personality in what should have been a raucous stemwinder to Lyle Lovett's "Long Tall Texan." The succeeding sections, also to Lovett, looked more taut and together, especially the middle duet by Bradley and Waletski. The wife-husband team of Megan McClellan and Brian Sostek provided the whimsical choreography that debuted earlier this year.
"Booba," an odd set of excerpts from a 2008 work by Andrea Miller, closed the show, first with a showcase for six dancers, followed by a duet of Bryan Godbout and Leslie O'Neill. Although the most structurally strong part of the evening, the group work lacked interest, particularly the pseudo-shimmying across the stage to the rhythmic music by Balkan Beat Box. Godbout and O'Neill provided a picture-pleasing finish to the most colorful (costume-wise) and brightly lit dance of the evening.
Zenon Dance Company's 27th fall concerts will continue, Fri-Sun, Nov. 27-29, at the Ritz Theater, 345 13th Avenue NE, Minneapolis. For tickets call 612.436.1129.
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Baseball's MVP
Minneapolis, Minnesota
Congratulations to #7, Minnesota Twins catcher Joe Mauer! The Baseball Writers Association of America gave 27 of 28 first-place votes to Mauer, 26, in designating him the Most Valuable Player in baseball's American League.
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Congratulations to #7, Minnesota Twins catcher Joe Mauer! The Baseball Writers Association of America gave 27 of 28 first-place votes to Mauer, 26, in designating him the Most Valuable Player in baseball's American League.
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Monday, November 23, 2009
Park Square Theatre's next stage includes a second stage
Minneapolis, Minnesota
Whatever damage the recession has visited upon nonprofit arts organizations, the effects appear to have passed over the Park Square Theatre, based in downtown St. Paul's Hamm Building, located at Seventh Place and St. Peter Street. With a current annual operating budget of approximately $1.8 million, Park Square claims to produce more shows than any theater in the Twin Cities except The Guthrie and Children's Theatre.
The company – which believes that "every year you're not growing you're shrinking" – has raised $1 million toward a Next Stage capital campaign goal of $4.2 million. Beginning in July 2010, these funds will result in new seats, carpeting, and wall coverings in the 340-seat mainstage auditorium, along with energy efficient lights and new production equipment.
Michael-jon Pease, Park Square's director of external relations, outlined the intents and purposes of the capital drive for 28 actors and others who attended a Nov. 23 reception and tour in the Hamm Building.
The campaign results from an 18-month planning process aimed at organizational transformation. In addition to renovating the mainstage facility, the campaign will provide $1.5 million for a new, second theater with 140 seats situated around three sides of a thrust stage on the lower level of the Hamm Building; $1 million to build organizational capacity over seven years; $500,000 for working capital; and $500,000 for an artistic capital fund that will underwrite the new productions made possible by the operation of two theaters.
The second theater is projected to open in November 2011, and will include an art gallery and lounge.
The Next Stage expansion seeks to increase the range of work presented, from nine to 18 annual productions, providing opportunities for larger, more diverse, and younger audiences to experience more diverse and challenging plays. Annual attendance is projected to grow from the current 53,000 people to 86,000. Much of that growth, 15,000 annually, will occur among student attendees, bringing the annual number of teens served to 40,000 – one of the largest student segments of any theater in the U.S.
The larger operation will allow Park Square to employ more than its current level of 100 artists annually with improved wages and a greater selection of roles. Half of the productions in the second theater will involve collaborations of two-to-three years' duration with other theater companies.
Staffing will increase from the present 11 positions to 14 or 15.
Of the theater's more than 3,000 subscribers, 42% have been with the company for five years or more. Ticket pricing will be the same for both theater spaces.
Park Square Theatre was founded in 1974 and moved into the Hamm Building in 1995. The building also is home to The Saint Paul Chamber Orchestra, the Artists Quarter jazz club, Great Waters Restaurant, and the Meritage Restaurant.
Park Square Theatre's production of "Jacob Marley's Christmas Carol," directed by Richard Cook, will run Dec. 3-20. For tickets call 651.291.7005 or visit parksquaretheatre.org. The theater's lobby gallery currently displays original, abstract landscape paintings by Kate Pearce.
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Whatever damage the recession has visited upon nonprofit arts organizations, the effects appear to have passed over the Park Square Theatre, based in downtown St. Paul's Hamm Building, located at Seventh Place and St. Peter Street. With a current annual operating budget of approximately $1.8 million, Park Square claims to produce more shows than any theater in the Twin Cities except The Guthrie and Children's Theatre.
The company – which believes that "every year you're not growing you're shrinking" – has raised $1 million toward a Next Stage capital campaign goal of $4.2 million. Beginning in July 2010, these funds will result in new seats, carpeting, and wall coverings in the 340-seat mainstage auditorium, along with energy efficient lights and new production equipment.
Michael-jon Pease, Park Square's director of external relations, outlined the intents and purposes of the capital drive for 28 actors and others who attended a Nov. 23 reception and tour in the Hamm Building.
The campaign results from an 18-month planning process aimed at organizational transformation. In addition to renovating the mainstage facility, the campaign will provide $1.5 million for a new, second theater with 140 seats situated around three sides of a thrust stage on the lower level of the Hamm Building; $1 million to build organizational capacity over seven years; $500,000 for working capital; and $500,000 for an artistic capital fund that will underwrite the new productions made possible by the operation of two theaters.
The second theater is projected to open in November 2011, and will include an art gallery and lounge.
The Next Stage expansion seeks to increase the range of work presented, from nine to 18 annual productions, providing opportunities for larger, more diverse, and younger audiences to experience more diverse and challenging plays. Annual attendance is projected to grow from the current 53,000 people to 86,000. Much of that growth, 15,000 annually, will occur among student attendees, bringing the annual number of teens served to 40,000 – one of the largest student segments of any theater in the U.S.
The larger operation will allow Park Square to employ more than its current level of 100 artists annually with improved wages and a greater selection of roles. Half of the productions in the second theater will involve collaborations of two-to-three years' duration with other theater companies.
Staffing will increase from the present 11 positions to 14 or 15.
Of the theater's more than 3,000 subscribers, 42% have been with the company for five years or more. Ticket pricing will be the same for both theater spaces.
Park Square Theatre was founded in 1974 and moved into the Hamm Building in 1995. The building also is home to The Saint Paul Chamber Orchestra, the Artists Quarter jazz club, Great Waters Restaurant, and the Meritage Restaurant.
Park Square Theatre's production of "Jacob Marley's Christmas Carol," directed by Richard Cook, will run Dec. 3-20. For tickets call 651.291.7005 or visit parksquaretheatre.org. The theater's lobby gallery currently displays original, abstract landscape paintings by Kate Pearce.
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Thursday, November 12, 2009
More "stimulus" funds on way to Minnesota arts groups
Minneapolis, Minnesota
The Minnesota State Arts Board and the Minneapolis-based Arts Midwest have re-granted $361,200 to twenty-one Minnesota arts organizations to help preserve jobs that are threatened by the current economic downturn. The grantees were selected from a pool of 153 eligible applicants.
The grants are part of the American Recovery and Reinvestment Act / Minnesota Arts Jobs grant program. Funding for the program was provided by the American Recovery and Reinvestment Act of 2009, through the National Endowment for the Arts.
That economic stimulus package, passed by Congress earlier this year, included $50 million for the arts. In April, the NEA awarded 63 grants from that package, totalling $19.8 million, to state and regional agencies. In that round, the MSAB received $316,000 and Arts Midwest received $514,400. Arts Midwest allocated its funds throughout its nine-state region, and pooled its Minnesota funds with those of the MSAB.
The 21 Minnesota organizations receiving stimulus grants include the Lake Region Arts Council, Fergus Falls, $3,000; Prairie Lakes Regional Arts Council, Waseca, $10,000; Cedar Cultural Center, Minneapolis, $15,000; Commonweal Theatre, Lanesboro, $11,600; Cornucopia Art Center, Lanesboro, $13,000; Dakota Valley Symphony, Burnsville, $25,000; FutureBuilders in Support of Trollwood, Morhead, $25,000; Holmes Center, Detroit Lakes, $25,000; Juxtaposition, Inc., Minneapolis, $25,000; Kulture Klub Collaborative, Minneapolis, $19,000; Minneapolis Pops Orchestra Association, Minneapolis, $12,000; Minnesota Ballet, Duluth, $18,000; Minnesota Chorale, Minneapolis, $16,000; Nautilus Music-Theater, St. Paul, $24,000; Nordic Culture Clubs, Moorhead, $18,000; One Voice Mixed Chorus, St. Paul, $24,000; Rochester Repertory Theatre, Rochester, $12,000; Saint Francis Music Center, Little Falls, $12,000; Sounds of Hope, Ltd., St. Paul, $12,600; Zenon Dance Company, Minneapolis, $16,000; and Zorongo Flamenco Dance Theatre, Minneapolis, $25,000.
Disclosure: Gary Peterson was a member of one of two panels convened by the MSAB to review 153 applications and to recommend grants for authorization by the MSAB.
In July, 26 other Minnesota arts organizations received stimulus grants directly from the NEA totalling $1,025,000. In total, Minnesota organizations received 2.8% of the $50 million arts stimulus package.
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The Minnesota State Arts Board and the Minneapolis-based Arts Midwest have re-granted $361,200 to twenty-one Minnesota arts organizations to help preserve jobs that are threatened by the current economic downturn. The grantees were selected from a pool of 153 eligible applicants.
The grants are part of the American Recovery and Reinvestment Act / Minnesota Arts Jobs grant program. Funding for the program was provided by the American Recovery and Reinvestment Act of 2009, through the National Endowment for the Arts.
That economic stimulus package, passed by Congress earlier this year, included $50 million for the arts. In April, the NEA awarded 63 grants from that package, totalling $19.8 million, to state and regional agencies. In that round, the MSAB received $316,000 and Arts Midwest received $514,400. Arts Midwest allocated its funds throughout its nine-state region, and pooled its Minnesota funds with those of the MSAB.
The 21 Minnesota organizations receiving stimulus grants include the Lake Region Arts Council, Fergus Falls, $3,000; Prairie Lakes Regional Arts Council, Waseca, $10,000; Cedar Cultural Center, Minneapolis, $15,000; Commonweal Theatre, Lanesboro, $11,600; Cornucopia Art Center, Lanesboro, $13,000; Dakota Valley Symphony, Burnsville, $25,000; FutureBuilders in Support of Trollwood, Morhead, $25,000; Holmes Center, Detroit Lakes, $25,000; Juxtaposition, Inc., Minneapolis, $25,000; Kulture Klub Collaborative, Minneapolis, $19,000; Minneapolis Pops Orchestra Association, Minneapolis, $12,000; Minnesota Ballet, Duluth, $18,000; Minnesota Chorale, Minneapolis, $16,000; Nautilus Music-Theater, St. Paul, $24,000; Nordic Culture Clubs, Moorhead, $18,000; One Voice Mixed Chorus, St. Paul, $24,000; Rochester Repertory Theatre, Rochester, $12,000; Saint Francis Music Center, Little Falls, $12,000; Sounds of Hope, Ltd., St. Paul, $12,600; Zenon Dance Company, Minneapolis, $16,000; and Zorongo Flamenco Dance Theatre, Minneapolis, $25,000.
Disclosure: Gary Peterson was a member of one of two panels convened by the MSAB to review 153 applications and to recommend grants for authorization by the MSAB.
In July, 26 other Minnesota arts organizations received stimulus grants directly from the NEA totalling $1,025,000. In total, Minnesota organizations received 2.8% of the $50 million arts stimulus package.
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Wednesday, November 11, 2009
Tell them how to spend the arts and cultural heritage money
Minneapolis, Minnesota
The Minnesota Historical Society, Minnesota State Arts Board, and Minnesota Humanities Center invite public input for a 10-year plan and 25-year framework for how to use money made available through the Minnesota Arts and Cultural Heritage Fund. Input will be solicited at November listening sessions in Rochester, Minneapolis, and Marshall, and via an online survey.
Listening sessions will take place Monday, Nov. 16, 5pm-7pm, at the Heinz Center on the campus of the Rochester Community and Technical College, 851 30th Avenue SE, Rochester; Tuesday, Nov. 17, 5pm-7pm, at East Side Neighborhood Services, 1700 2nd Street NE, Minneapolis; and Wednesday, Nov. 18, 5pm-7pm, at Charter Hall on the campus of Southwest Minnesota State University, 1501 State Street South, Marshall.
Earlier sessions were held in St. Paul, Chisholm and Fergus Falls.
Members of a planning committee, drawn from 13 history, arts, cultural, and library organizations, will develop a spending plan for the Arts and Cultural Heritage Fund. The committee met Nov. 10 in Little Falls, and will meet again on Dec. 9 in Minneapolis and on Jan. 5 at a location to be determined. Its plan will be reported to the legislature by Jan. 15.
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The Minnesota Historical Society, Minnesota State Arts Board, and Minnesota Humanities Center invite public input for a 10-year plan and 25-year framework for how to use money made available through the Minnesota Arts and Cultural Heritage Fund. Input will be solicited at November listening sessions in Rochester, Minneapolis, and Marshall, and via an online survey.
Listening sessions will take place Monday, Nov. 16, 5pm-7pm, at the Heinz Center on the campus of the Rochester Community and Technical College, 851 30th Avenue SE, Rochester; Tuesday, Nov. 17, 5pm-7pm, at East Side Neighborhood Services, 1700 2nd Street NE, Minneapolis; and Wednesday, Nov. 18, 5pm-7pm, at Charter Hall on the campus of Southwest Minnesota State University, 1501 State Street South, Marshall.
Earlier sessions were held in St. Paul, Chisholm and Fergus Falls.
Members of a planning committee, drawn from 13 history, arts, cultural, and library organizations, will develop a spending plan for the Arts and Cultural Heritage Fund. The committee met Nov. 10 in Little Falls, and will meet again on Dec. 9 in Minneapolis and on Jan. 5 at a location to be determined. Its plan will be reported to the legislature by Jan. 15.
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Twin Cities dance and performance notes for November
Minneapolis, Minnesota
For a 27th consecutive year, Zenon Dance Company will present a fall season of dance in the Twin Cities. New and existing work will be displayed over two weekends, Nov. 19-29, at the Ritz Theater in Minneapolis.
In his first commission for Zenon, New York dancemaker Sydney Skybetter provides one of the program's three premieres, "The Laws of Falling Bodies," a modern work for the full-company set to music by Jonny Greenwood.
Mary Ann Bradley and Greg Waletski will dance "Here, now that you are gone," a new jazz duet by Judith James Ries, a Minneapolis-based protégé of jazz master Danny Buraczeski. The duet is set to music by Charlie Byrd, Toots Thielemans, and Stéphane Grappelli.
Emilie Plauché Flink, co-artistic director of Black Label Movement in Minneapolis, offers a new, untitled solo set to cello music composed by Michelle Kinney and recorded by the ensemble Jello Slave. Tamara Ober and Bradley will perform the work on alternate weekends.
The program also will include two revivals. "Not From Texas," a light and entertaining hoedown by Megan McClellan and Brian Sostek set to music by Lyle Lovett, and "Booba (Doll)," an Andrea Miller work to Balkan Beat Box.
The Ritz Theater is located at 345 - 13th Avenue NE, Minneapolis. Performances: Nov. 19-21 and 27-28 at 8pm, Nov. 22 and 29 at 7pm. For tickets call: 612.436.1129.
Led by directors Uri Sands and Toni Pierce-Sands, TU Dance will open its sixth season with three performances of four contemporary works, Nov. 20-22, at The O'Shaughnessy in St. Paul. The program will feature the first full staging since 1992 of "Dance With Army Blankets," a work commissioned from Danial Shapiro and Joanie Smith by the Alvin Ailey Repertory Ensemble.
Uri Sands will offer up two premieres: "Sense(ability) Sketch III - Earth" and an untitled duet for himself and Marciano Silva dos Santos. An earlier work, "Tones of Adney," inspired by the shifting states of a Minnesota lake, will round out the bill.
The O'Shaughnessy is located on the campus of St. Catherine's University, Cleveland and Randolph Aves., St. Paul. Performances: Nov. 20-21 at 8pm and Nov. 22 at 2pm. For tickets call 651.690.6700.
In addition to students from the Ballet Royale Minnesota academy, guest artists will include Leah Gallas and Ricardo Graziano from the Tulsa Ballet (Sugar Plum Fairy and Cavalier) and Eve Schulte and Nicolas Lincoln from the James Sewell Ballet (Snow Queen and King).
The Lakeville South High School Theater is located at 21135 Jacquard Avenue, Lakeville, east of I-35 on Highway 70. Performances: Nov. 28 at 2pm and 6pm, and Nov. 29 at 1:30pm. Tickets available at the door, or in advance online at www.lakeville-rapconnect.com (click the "Programs" tab).
For a 27th consecutive year, Zenon Dance Company will present a fall season of dance in the Twin Cities. New and existing work will be displayed over two weekends, Nov. 19-29, at the Ritz Theater in Minneapolis.
In his first commission for Zenon, New York dancemaker Sydney Skybetter provides one of the program's three premieres, "The Laws of Falling Bodies," a modern work for the full-company set to music by Jonny Greenwood.
Mary Ann Bradley and Greg Waletski will dance "Here, now that you are gone," a new jazz duet by Judith James Ries, a Minneapolis-based protégé of jazz master Danny Buraczeski. The duet is set to music by Charlie Byrd, Toots Thielemans, and Stéphane Grappelli.
Emilie Plauché Flink, co-artistic director of Black Label Movement in Minneapolis, offers a new, untitled solo set to cello music composed by Michelle Kinney and recorded by the ensemble Jello Slave. Tamara Ober and Bradley will perform the work on alternate weekends.
The program also will include two revivals. "Not From Texas," a light and entertaining hoedown by Megan McClellan and Brian Sostek set to music by Lyle Lovett, and "Booba (Doll)," an Andrea Miller work to Balkan Beat Box.
The Ritz Theater is located at 345 - 13th Avenue NE, Minneapolis. Performances: Nov. 19-21 and 27-28 at 8pm, Nov. 22 and 29 at 7pm. For tickets call: 612.436.1129.
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Led by directors Uri Sands and Toni Pierce-Sands, TU Dance will open its sixth season with three performances of four contemporary works, Nov. 20-22, at The O'Shaughnessy in St. Paul. The program will feature the first full staging since 1992 of "Dance With Army Blankets," a work commissioned from Danial Shapiro and Joanie Smith by the Alvin Ailey Repertory Ensemble.
Uri Sands will offer up two premieres: "Sense(ability) Sketch III - Earth" and an untitled duet for himself and Marciano Silva dos Santos. An earlier work, "Tones of Adney," inspired by the shifting states of a Minnesota lake, will round out the bill.
The O'Shaughnessy is located on the campus of St. Catherine's University, Cleveland and Randolph Aves., St. Paul. Performances: Nov. 20-21 at 8pm and Nov. 22 at 2pm. For tickets call 651.690.6700.
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The Walker Art Center's annual Choreographers' Evening, curated by Olive Bieringa and Otto Ramstad, will take place in Minneapolis at the Walker's McGuire Theater, Saturday, Nov. 28 at 7pm and 9:30pm. Follow the link for the program line-up. For tickets call 612.375.7600 or online at walkerart.org/tickets.
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In something of a family affair, the Lakeville City Ballet will present its annual, full-length production of "The Nutcracker" on Thanksgiving weekend, Nov. 28-29, at the Lakeville South High School Theater.
Artistic Director Denise Vogt provides the choreography for the production that includes spouse Rick Vogt (returning from dance retirement) in the role of Drosselmeyer, daughter Tianna, and son Anthony in the role of the Nutcracker.
In addition to students from the Ballet Royale Minnesota academy, guest artists will include Leah Gallas and Ricardo Graziano from the Tulsa Ballet (Sugar Plum Fairy and Cavalier) and Eve Schulte and Nicolas Lincoln from the James Sewell Ballet (Snow Queen and King).
The Lakeville South High School Theater is located at 21135 Jacquard Avenue, Lakeville, east of I-35 on Highway 70. Performances: Nov. 28 at 2pm and 6pm, and Nov. 29 at 1:30pm. Tickets available at the door, or in advance online at www.lakeville-rapconnect.com (click the "Programs" tab).
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After 10+ years of planning and fundraising, ground will be broken for construction of the Minnesota Shubert Center in Minneapolis, Thursday, Nov. 19. The public is invited for remarks and the groundbreaking ceremony in the parking lot between the Hennepin Center for the Arts and the Shubert Theater, 528 Hennepin Ave., 12:30pm-1:15pm. A reception will follow in the Hennepin Center, 1:15pm-2:30pm. RSVP for the reception to 612.465.0231.
One of the largest dance floors in Minnesota, the historic Withrow Ballroom & Event Center will re-open late this month in Hugo/Stillwater, under the ownership of Paul Bergman. The 15,000 sq ft facility, established in 1928, has been shut down for a year. The opening weekend entertainment will include the Rockin' Hollywoods (50s dancing music), Friday, Nov. 27, 8:30pm-12:30am; Raggs featuring Todd Olson on lead vocals/sax/flute (classic rock-n-roll), Saturday, Nov. 28, 8pm-Midnight; and the acoustic slide guitar duo of the Dough Bros: Paul Mayasich and Andy Dee (country, blues, R and B, rockabilly, rock-n-roll), Sunday, Nov. 29, 3pm-7pm.
The Withrow Ballroom is located at 12169 Keystone Avenue North, Hugo, just northwest of Stillwater, Minnesota. Tickets are available at the door or by calling 651.439.5123.
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• • • • •
One of the largest dance floors in Minnesota, the historic Withrow Ballroom & Event Center will re-open late this month in Hugo/Stillwater, under the ownership of Paul Bergman. The 15,000 sq ft facility, established in 1928, has been shut down for a year. The opening weekend entertainment will include the Rockin' Hollywoods (50s dancing music), Friday, Nov. 27, 8:30pm-12:30am; Raggs featuring Todd Olson on lead vocals/sax/flute (classic rock-n-roll), Saturday, Nov. 28, 8pm-Midnight; and the acoustic slide guitar duo of the Dough Bros: Paul Mayasich and Andy Dee (country, blues, R and B, rockabilly, rock-n-roll), Sunday, Nov. 29, 3pm-7pm.
The Withrow Ballroom is located at 12169 Keystone Avenue North, Hugo, just northwest of Stillwater, Minnesota. Tickets are available at the door or by calling 651.439.5123.
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Tuesday, November 10, 2009
Country's Phil Vassar singing at Burnsville PAC
Burnsville, Minnesota
To promote the release of his fourth album, "Prayer Of A Common Man," Phil Vassar has been traveling the country to perform in Wilmington, Tampa, Nashville, Salt Lake City, Cleveland, and many more. The tour will bring him to the main stage of the Burnsville Performing Arts Center, Saturday, Nov. 21, at 7:30pm.
After growing up poor in his native Virginia and scoring a track scholarship to James Madison University, the country singer, songwriter, and pianist worked his way up in Nashville, beginning his career co-writing songs with country legends like Tim McGraw, Jo Dee Messina, Collin Raye, and Alan Jackson. Since releasing his debut album in 2000, he has charted 18 songs on the Billboard Hot Country Songs Charts, including two at number one.
The Burnsville Performing Arts Center is located at 12600 Nicollet Avenue, Burnsville, just off I-35W at the US-13 exit. Tickets available in-person at the BPAC box office, Tue-Fri, 11am-6pm & Sat, 10am-2pm. For more information: 952.895.4680.
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To promote the release of his fourth album, "Prayer Of A Common Man," Phil Vassar has been traveling the country to perform in Wilmington, Tampa, Nashville, Salt Lake City, Cleveland, and many more. The tour will bring him to the main stage of the Burnsville Performing Arts Center, Saturday, Nov. 21, at 7:30pm.After growing up poor in his native Virginia and scoring a track scholarship to James Madison University, the country singer, songwriter, and pianist worked his way up in Nashville, beginning his career co-writing songs with country legends like Tim McGraw, Jo Dee Messina, Collin Raye, and Alan Jackson. Since releasing his debut album in 2000, he has charted 18 songs on the Billboard Hot Country Songs Charts, including two at number one.
The Burnsville Performing Arts Center is located at 12600 Nicollet Avenue, Burnsville, just off I-35W at the US-13 exit. Tickets available in-person at the BPAC box office, Tue-Fri, 11am-6pm & Sat, 10am-2pm. For more information: 952.895.4680.
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ARENA Dances at The Lab Theater
Minneapolis, Minnesota
ARENA Dances by Mathew Janczewski will present its Short Fall series of modern dance performances at The Lab Theater in Minneapolis, Nov. 12-15. The program will feature three premiere works: "Huddle," a quartet for men; "Everything Reflects," a duet; and a solo by Janczewski. Two repertory works also are on deck: "Short Fall" and "I need you now to abandon me."
In addition to Janczewski, the ARENA dancers include Gabriel Anderson, Julie Brant McBride, Heather Klopchin, Stephanie Laager, Stephen Schroeder, Duncan Schultz, Sarah Steichen, and Galen Treuer.
The Lab Theater is located at 700 North 1st Street in Minneapolis. Tickets online at www.thelabtheater.org. Performances: Nov. 12-13 & 14 at 8pm; Nov. 14 at 5pm; Nov. 15 at 7pm.
In addition to Janczewski, the ARENA dancers include Gabriel Anderson, Julie Brant McBride, Heather Klopchin, Stephanie Laager, Stephen Schroeder, Duncan Schultz, Sarah Steichen, and Galen Treuer.
The Lab Theater is located at 700 North 1st Street in Minneapolis. Tickets online at www.thelabtheater.org. Performances: Nov. 12-13 & 14 at 8pm; Nov. 14 at 5pm; Nov. 15 at 7pm.
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